First of all, 1996 marked the end of one musical era and the beginning
of a new era of popular culture.The
Telecommunications Act of 1996 allowed the radio
station industry, which had been mainly privately owned, to drop into the hands
of a few powerful companies. The radio was the first electronic mass
medium; and when it first became a household item in the 1920′s, there was a
requirement to operate in the public interest. At the time, the number of licensed
radio operators went from 322 in 1913 to
13581 in 1917! Most of these companies did not sell advertising time, but by
1930, nine out of ten radio stations sold advertising time. This slow
shift from no ad time to practically everyone advertising, marked the beginning
of the trend of affiliation with large networks for financing. These
days, the number of radio owners continues to drop as an
increasing number of large networks own radio stations.
Because of the Telecommunications Act of 1996, communications companies
who had their eyes out for smaller companies to swallow up were able to go on
immense shopping sprees. For instance, Clear Channel
communications immediately purchased 70 other companies and a
few radio stations. In addition, before Jacor became part of Clear
channel, it owned 233 radio stations in 55 different markets! With less and
less companies owning radio stations, there has been less variety in the music
world. The goal now is to get those who can make a ‘hit’ and sell as
quickly as possible. The music industry as now become a race track where every
media company is trying to reach the best looking people who will attract the
most listeners. This point leads to the idea that the music world has now
shifted from looking for talent to looking for beauty. As the various artists
in the the documentary Before the Music Dies, the artists that came before the
consolidated mass media would not have a chance in today’s industry.
Artists such as Ray Charles and Stevie Wonder, who are considered
prodigies, would not have made it in today’s music industry because of
their bindles. It’s simple as that, the movie pointed out that today’s
musicians must look good in order to even have a chance.
In addition to good looks, one must be willing to fit the
entertainment mold. It’s no longer what genre the musician himself wants
to communicate to audiences, it’s all about what will sell as quickly as
possible. As mentioned earlier, the music world has now become a race
track. These few companies at the top of the food chain, like Clear Channel
Communications, are all racing to make the most money as soon as possible.
This also brings us back to the radio requirement to adhere to public
interest. As the mother media companies race for the finish line, is the public
interest really still the first thing on the priority list? An increasing
number of music consumers believe that their musical demands have not been met.
These days, only a few artists have the honor to be heard on the radio.
People like Beyoncé, Ke$ha, Katy Perry, One Direction, Chris Brown, etc.
These artists are entertainers that fit the popular culture of music mold
and their albums sell out as quickly as they come out. Popular culture
does not appeal to all listeners, so now people have found different ways to
find interesting musicians who have escaped the popular music mold or who were
simply not allowed to be themselves as they tried to make it to the top.
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