Thursday, December 12, 2013

How is Mass Media Consolidation affecting the Music Industry - Ashish Shukla

First of all, 1996 marked the end of one musical era and the beginning of a new era of popular culture.The Telecommunications Act of 1996 allowed the radio station industry, which had been mainly privately owned, to drop into the hands of a few powerful companies.  The radio was the first electronic mass medium; and when it first became a household item in the 1920′s, there was a requirement to operate in the public interest.  At the time, the number of licensed radio operators went from 322 in 1913 to 13581 in 1917! Most of these companies did not sell advertising time, but by 1930, nine out of ten radio stations sold advertising time.  This slow shift from no ad time to practically everyone advertising, marked the beginning of the trend of affiliation with large networks for financing.  These days, the number of radio owners continues to drop as an increasing  number of large networks own radio stations.
Because of the Telecommunications Act of 1996, communications companies who had their eyes out for smaller companies to swallow up were able to go on immense shopping sprees. For instance, Clear Channel communications  immediately purchased 70 other companies and a few radio stations.   In addition, before Jacor became part of Clear channel, it owned 233 radio stations in 55 different markets! With less and less companies owning radio stations, there has been less variety in the music world.  The goal now is to get those who can make a ‘hit’ and sell as quickly as possible. The music industry as now become a race track where every media company is trying to reach the best looking people who will attract the most listeners.  This point leads to the idea that the music world has now shifted from looking for talent to looking for beauty. As the various artists in the the documentary Before the Music Dies, the artists that came before the consolidated mass media would not have a chance in today’s industry.  Artists such as Ray Charles and Stevie Wonder, who are considered prodigies,  would not have made it in today’s music industry because of their bindles. It’s simple as that, the movie pointed out that today’s musicians must look good in order to even have a chance.

In addition to good looks, one must be willing to fit the entertainment mold.  It’s no longer what genre the musician himself wants to communicate to audiences, it’s all about what will sell as quickly as possible.  As mentioned earlier, the music world has now become a race track. These few companies at the top of the food chain, like Clear Channel Communications, are all racing to make the most money as soon as possible.  This also brings us back to the radio requirement to adhere to public interest. As the mother media companies race for the finish line, is the public interest really still the first thing on the priority list?  An increasing number of music consumers believe that their musical demands have not been met.  These days, only a few artists have the honor to be heard on the radio. People like BeyoncĂ©, Ke$ha, Katy Perry, One Direction, Chris Brown, etc.  These artists are entertainers that fit the popular culture of music mold and their albums sell out as quickly as they come out.  Popular culture does not appeal to all listeners, so now people have found different ways to find interesting musicians who have escaped the popular music mold or who were simply not allowed to be themselves as they tried to make it to the top.

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